![]() ![]() So, we’ll show you how to establish the key your melody might be in, how to generate a palette of chords that work with it, then create an example progression using those chords.įrom there, you can vary the sounds you use and change up the rhythm and voicing of the chords to suit your own tastes. One perennial issue for songwriters is what to do when they’ve come up with a melody line and need a chord progression to fit it. So the name of the Bb major scalerelative minor is the G natural minor scale. Its enharmonic equivalent, A-sharp minor. ![]() The 6th note of the B-flat major scale is G, which identifies the tonic note of the relative (natural) minor key. Its relative major is D-flat major and its parallel major is B-flat major. ![]() The chord progressions used in most pop songs are relatively simple, mostly consisting of a cycle of between two and four chords that are diatonic to the song’s key.ĭiatonic means that the chords are made up of notes in the parent scale of the key - so if a song is in the key of E major, say, then the majority of the notes in the melody will be found in the E major scale, and the notes that make up the supporting chords - bar one or two exotic exceptions maybe - will be taken from the E major scale too. The key signature of B flat minor scale has five flats (5) because its relative major key is D flat Major scale. Relative minor of B-flat major is G This step identifies the relative minor key of the Bb major scale. ![]()
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